Essay modern media tool disinformation

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Modern astrology has had one really tragic flaw in addition to its inarticulate language: its complete lack of a philosophical foundation rooted in any coherent philosophical or spiritual tradition of the world, except in the case of Jyotish. Jyotish does have a coherent philosophical and spiritual background derived from the religions of India. For those of you that are not aware of it, Western astrology (by which I really mean Middle Eastern astrology, we just happen to be practising the Western branch of it) also has a firm foundation in philosophy derived from persons with names such as Plato, Pythagoras, Aristotle, Plotinus and has roots in other philosophies that we cannot attribute to any actual person, such as the philosophies of Hermes. We have to go back to these philosophies (as I will hope to demonstrate in part tomorrow) because all modern Western philosophy – with the possible and likely exception of phenomenology – is born out of an idea-set that occurs after the West made a fork on the road of philosophy which rendered astrology inherently impossible.

Mobile phone is an electronic device and it is the best way to communicate with each and every person. Just as every coins has two sides similarly mobile has also two aspects, first positive and second negative. But I am in the fervour of it’s positive points because it is very useful, helpful for the students and every person as well as important also. And it has so many negative points. If any student or any person use a mobile phone whole day then it is very bad. If I tell it in one sentence. Then it’s all are up to the users that how they use. Thus I can say that mobile phone very very important for everyone…

What Haas looked for, and began to find, in his last monochromatic work was what he finally realized most fully in color: a photography that was not dominated by what Richard Kirstel has called "the tyranny of the subject." Like those members of the New York School with whom he had most in common, and like another figure whose explorations must be factored into this equation, the late Aaron Siskind, Haas had grown tired of making pictures of the world and even of making images about it; instead, he'd become desirous of making images that were simply drawn from it. The teacher and theorist Henry Holmes Smith once wrote (in an essay on Siskind), "The question: 'What was really there?' becomes as irrelevant as what Monet's lily pond really looked like to Mme. Monet when she rode by on her bicycle." Haas's mature color images come to that same conclusion.

Essay modern media tool disinformation

essay modern media tool disinformation

What Haas looked for, and began to find, in his last monochromatic work was what he finally realized most fully in color: a photography that was not dominated by what Richard Kirstel has called "the tyranny of the subject." Like those members of the New York School with whom he had most in common, and like another figure whose explorations must be factored into this equation, the late Aaron Siskind, Haas had grown tired of making pictures of the world and even of making images about it; instead, he'd become desirous of making images that were simply drawn from it. The teacher and theorist Henry Holmes Smith once wrote (in an essay on Siskind), "The question: 'What was really there?' becomes as irrelevant as what Monet's lily pond really looked like to Mme. Monet when she rode by on her bicycle." Haas's mature color images come to that same conclusion.

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essay modern media tool disinformationessay modern media tool disinformationessay modern media tool disinformationessay modern media tool disinformation