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In addition, Dillard manages to provide us with a parallel contrast between her life intertwined with that of Rahm. She parallels a writing sensation in a spinning manner that goes to show how Dillard regards writing as a serious endeavor. As Dillard watches Rahm execute his stunts in a pilot show, she does so in a passionate manner as she starts dreaming about commanding her own plane just like Rahm. Through the language she uses, it is very clear in her descriptive sensations that as a writer, she considers it similar in efforts to those Rahm puts in his profession. We are able to identify this through her assertion that neither of them manage to identify their success in the course of their performances. In simple terms, neither Rahm and Dillard are aware of the development and progress of their respective arts at the moment the task is being carried out.